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Five Radiohead albums have been included in Rolling Stone's 500 Greatest Albums of All Time lists, and the band are the most nominated act in Mercury Prize history, with five nominations. Rolling Stone named Radiohead one of the 100 greatest artists of all time, and Rolling Stone readers voted them the second-best artist of the 2000s. "Creep" and "Nude" (2008) reached the top 40 on the US Billboard Hot 100. Seven Radiohead singles have reached the top 10 on the UK Singles Chart: "Creep" (1992), "Street Spirit (Fade Out)" (1996), "Paranoid Android" (1997), "Karma Police" (1997), "No Surprises" (1998), "Pyramid Song" (2001) and "There There" (2003). Their awards include six Grammy Awards and four Ivor Novello Awards. Yorke, Jonny Greenwood, Selway and O'Brien have released solo albums in 2021, Yorke and Greenwood debuted a new band, the Smile.Īs of 2011, Radiohead have sold more than 30 million albums worldwide. A Moon Shaped Pool (2016) prominently featured Jonny Greenwood's orchestral arrangements. Their eighth album, The King of Limbs (2011), an exploration of rhythm, was developed using extensive looping and sampling.
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Their subsequent releases have pioneered alternative release platforms such as pay-what-you-want and BitTorrent Radiohead self-released their seventh album, In Rainbows (2007), as a download for which customers could set their own price, to critical and chart success. Hail to the Thief (2003), with lyrics inspired by the War on Terror, was Radiohead's final album for EMI. It was followed by Amnesiac (2001), recorded in the same sessions. Though Kid A divided listeners, it later attracted wide acclaim. Kid A (2000) marked a dramatic change in style, incorporating influences from electronic music, jazz, classical music and krautrock. Radiohead's third album, OK Computer (1997), brought them international fame noted for its complex production and themes of modern alienation, it is acclaimed as a landmark record and one of the best albums in popular music. Their popularity and critical standing rose with the release of their second album, The Bends (1995). It became a worldwide hit after the release of their debut album, Pablo Honey (1993). Radiohead's experimental approach is credited with advancing the sound of alternative rock.Īfter signing to EMI in 1991, Radiohead released their debut single, "Creep", in 1992. They have worked with producer Nigel Godrich and cover artist Stanley Donwood since 1994. Pablo Honey (1993), The Bends (1995), OK Computer (1997), Kid A (2000), Amesiac (2001), I Might Be Wrong (Live/2001) and Hail To The Thief (2003). The band consists of Thom Yorke (vocals, guitar, piano, keyboards), brothers Jonny Greenwood (lead guitar, keyboards, other instruments) and Colin Greenwood (bass), Ed O'Brien (guitar, backing vocals) and Philip Selway (drums, percussion). Magpie”) scattered throughout.Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. Still, there are entrancingly off-kilter flashes (“Bloom,” “Lotus Flower,” “Morning Mr. Radiohead pushed toward their gloomiest recesses here and largely left out their core pop gravitas. Recorded while touring to support Kid A and Amnesiac, this concert LP is explosively raw: The twisty, insular “Idioteque” lashes out, and on “Like Spinning Plates,” Yorke holds an arena enrapt with just his beautifully chilling voice. Radiohead could’ve existed solely as a studio-science geniuses – a Steely Dan for our times. If this was all they’d ever done, they’d be a platinum-plated Nineties relic, synonymous only with the killer misanthrope kitsch of “Creep.” The rest is bad, often embarrassingly so: future greats not quite getting it together yet. Recorded after the dissolution of Yorke’s marriage, MSP is sublimely spectral – by turns enigmatic (“Daydreaming”), somber (“Desert Island Disk”) and quietly furious (“Ful Stop”). In time, their latest may reach classic status too. That nightmare scenario was evoked in tracks like “2+2=5” and “There There,” where the band channeled its anger into the most unabashed guitar assaults it had delivered in more than half a decade.
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Radiohead’s evergreen grimness coursed with special urgency on an album that arrived just three months after U.S. Amnesiac served notice that there’d be no retreat from the outré impulses of Kid A.
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“Fake Plastic Trees” is a dystopian lighter-waver, while “My Iron Lung” pointed the way toward the icy grandeur of OK Computer.Ĭulled from the Kid A sessions, their fifth album has a dizzying, polyglot vibe – from “Pyramid Song,” a stammering piano ballad full of disconcertingly gorgeous suicide imagery, to “Pulk/Pull Revolving Doors,” a sneakily funky, melody-free textural delight. The first quantum leap in a career that’s been full of them, taking the band from Brit-rock also-rans to budding artistes.